March 2018, FC2/University of Alabama Press
Winner of the FC2 Catherine Doctorow Innovative Fiction Prize
Forward by Mary Caponegro
Bhopal Dance is an imaginative, erotic rethinking of Bhopal’s disaster—and our own.
On the night of December 2nd, as 1984 drew to its Reaganomic close, an explosion at an American-owned factory in Bhopal, India, released untold amounts of toxic gas on uncounted numbers of people, creating the largest environmental disaster on record. Bhopal remains emblematic of all the many quickly forgotten disasters that followed, and of the permanent state of globalized disaster in which we now dwell. What does it mean when corporations instead of states control not only the means to create environmental disasters, but also the tools to bury them? How does one revolt against these unelected entities? How do our most private desires get shaped by this stateless horror? With its incendiary, lyrical prose, and unforgettable characters, Bhopal Dance explores these questions.
Cordelia, an owlish woman with a ménage of lovers, leads a revolutionary political movement catalyzed by the Bhopal disaster, only to end up imprisoned with only a toilet to talk to. Cordelia is a remarkable bird in her own right: her ‘owlishness’ is a feathery conceit deployed in both the book’s form and content, a way of exploring queer possibilities for altering the terms of one’s imprisonment. For setting corporatized corporeality alight. Ablaze. Pets and punk rock, dentists and dyslexia, Shakespeare and salsa: in Bhopal Dance, they all dance together.
Dark Coast Press, 2011
Tanya Irene Schwartz narrates her hilarious and conflicting desires through the mosical and psychological structure of the fugue. Jewish law, world records, 9/11, Barbies, Viagra, sex, and sisters: these are the surprising sites of Tanya's transformation from girl to woman. These short, intertwined stories explore religion, sex, and school, capturing the cadences and rhythms that mark our journey from adolescence to adulthood. Tanya's vivid, humorous voice grants us a rare but strangely familiar view of what happens when we almost touch the divine.
"Thirteen Fugues is a lush, perverse enchantment, a creepy-pretty suburban fairy tale, all commonplace innocence and surreal hints and twists. Like peeking through a neighbor's basement window, you can't turn away from what you spy."
"Jennifer Natalya Fink's collection sparkles with radiant precision yet shifts and twists under inspection like some bejeweled quantum entanglement."
—D. TRAVERS SCOTT
The Mikvah Queen
Rebel Satori Press, 2010
Nominated for the Pulitzer Prize
Winner of the Dana Award for the Novel
Semifinalist, Amazon Breakthrough Novel Award
In the anti-everything hippie culture of early ‘80s Ithaca, New York, what rituals can a girl borrow, steal, or invent to make sense of puberty? Jane Schwartz, a lonely, Talmud-quoting, disco-worshipping eleven- year-old girl, builds a mikvah (Jewish ritual bath) in the porta-sauna of her middle-aged neighbor, Charlene Walkeson, in hopes of saving Charlene from the ravages of cancer. Will Jane also save her fierce, fragile self?
The first time I ever heard about how hard it was to be a left-handed person I whirled around and began to sympathetically imagine the difficulties of phone booths and toll booths and doors all of it, the world, arranged for the comfort of righties. If anyone had next explained to me that part of what was so uncomfortable about being female was exactly the same—not just the machinery of the world but its dictionaries and handbooks, the bibles and schools—then I would have known why maneuvering it all in this car, my body was so inexplicably hard. With dazzling humor and devastating weirdness and skill The Mikvah Queen is one of the first books I would hand to a girl in the new world where we begin to tell it all and even celebrate the excess of females and their perversities and beauties the way everything generally likes to celebrate men. Jennifer Natalya Fink s book is excitingly odd and gross and disgustingly new. It's so good to go this far with a thought and a world as if it were your own. I think Jonathan Lethem, I think Phillip Roth and then I think no, she went past. She's shooting by the discomfort in them. I feel welcomed in The Mikvah Queen like a human for a change. Is this sci-fi? Females imagine and laugh? Their bodies are real and slipping into a bath they ask why. This compulsively readable book wants to know. —EILEEN MYLES
I find the characters in The Mikvah Queen haunting, and so vividly and movingly drawn. Their dilemmas are so clear, and their connection filled, symbolically, with such potential. —REBECCA WALKER
The Mikvah Queen is an intense meditation on the female body its contamination and purification, and who gets to control those concepts but at heart it s also a story of compelling friendship between a girl and a woman, a coming-of-age Jew and a facing-death WASP, as each meets the challenges of change. —MICHAEL LOWENTHAL
She Devil Press, 2007
V is based on a story the author's Brazilian-Jewish grandmother tells, a story aimed at explaining why she left Sao Paulo, Brazil, shortly after World War II. Like most family myths, the story changes every time she tells it; however, it always involves a monkey, a gun, a hat, a man, and, implicitly, a girl: the author's grandmother. In the grandmother's rendition, sometimes the monkey shoots the hat off the man; other times, the man shoots the hat off the monkey.
"An intricate and moving work: elegantly conceived, irresistibly written, informed on every page by wit, charm and intelligence." —CAROLE MASO
"A peculiar—and peculiarly moving—novel." —STEVE ALMOND
"With lyrical prose, vivid imagery, and brilliantly drawn characters, Jennifer Natalya Fink takes the reader on an unforgettable journey." —ROXANNE DUNBAR ORTIZ
Suspect Thoughts Press, 2005
Crafted with echoes of the Adam and Eve myth, set amidst the sexual and political repression of the 1950s, Burn revisits familiar narratives of McCarthyism, Jewish socialism, and pedophilia, but is told from the rarely heard perspective of a menopausal immigrant woman.
"Burn is without a doubt the best first novel I have read in a long, long time."
"Fink's amazing writing suspends the reader in a seamless erotic tragedy...deserves to be recognized as a literary classic." —PATRICK CALIFIA
Co-edited with May Joseph
University of Minnesota Press, 1998
Amid the modern-day complexities of migration and exile, immigration and repatriation, notions of stable national identity give way to ideas about cultural "hybridity". The authors represented in this volume use different forms of performative writing to question this process, to ask how the production of new political identities destabilizes ideas about gender, sexuality, and the nation in the public sphere.
Contributors use forms such as the essay, poem, photography, and case study to examine historically specific cases in which the notion of hybridity recasts our ideas of identity and performance: the struggle for Aboriginal land rights in Australia; Bahian carnival; the creolization and pidginization of language in the Caribbean world; queer videos; and others.
"No one anywhere on the planet can arrange language, history, memory, and the bodies of women in more intense and intimate orchestration than Jennifer Natalya Fink does in Bhopal Dance. Between desire and cultural inscription arise bodies that refuse to be bound by the rules and laws set out for them. Let the novel be undone by bodysong and language meat."
—LIDIA YUKNAVITCH, author of The Book of Joan
"This new novel continues Jennifer Natalya Fink’s raucous narrative style, a style both ecstatic and cutting. She and about five to nine other Bad White Girls have evolved a literary method of attack on Americans (like themselves, double irony) who can’t quite shuck the dream of something good that will cure their shock at being here. They try revolution and it backfires and lands them in jail, where freedom gurgles in the mouth of a toilet bowl. This book takes the conundrum to an explosive level. The pages burn with sex and toxic car-time, Union Carbide and ruined Bhopal. No reconciliations offered."
—FANNY HOWE, author of The Needle's Eye: Passing through Youth
"Youth, bad romance, intellectual idealism and the very big question of how to respond to the bigger nightmares we face on earth--Jennifer Natalya Fink gets deep into the muck of it, with sly humor and fierce intelligence, a conscience, a soul, and a gift for exploding what we think it is to tell a story."
—MICHELLE TEA, author of Black Wave